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Water in motion is magical and ever changing. It is not until you achieve to capture the silky effects and soft effects of water in motion that you realize you are a professional photographer. It takes a great deal of time and practice for you to perfect the art of going with water flow. Photographer Peterborough says there is nothing as fulfilling to a photographer than his or her ability to slow down his camera’s shutter speed, and capture a beautiful scene of soft movement of water in boulder slides and waterfalls.
Behind such success lies the “going with the flow” or “fluid motion” technique. Once a photographer learns it, he can apply it to all lawn springs, fountains, ocean turf, streams and waterfalls. In order for a novice to blur falling or flowing water, they should start with a shutter speed of around 1/8th of a second. Thereafter, they should work their way down ¼ to ½ second range. Ultimately, you will achieve a silky smoothness. However, photographer Peterborough cautions novices that it does not start working until at about full second range. Therefore, they have to be patient and consistent if they are to achieve this. To be a professional photographer, you have to shun the thought of magical achievements.
Fortunately, according to photographer Peterborough, the fluid motion technique has a golden rule; photographing running water is not a precise science – therefore, it pays incredibly to make creative experiments.
It is cardinal for any photographer Peterborough to note the speed of water is indirectly proportional to exposure durations. Therefore, slow flowing water requires longer exposure durations in order to obtain fluid flowing look. Cascading or fast water on the other hand, should be blurred with not so slow shutter speeds.
“Forget the distance between water and your camera at your own peril,” connotes photographer Peterborough. The more you magnify water in motion either by zooming in tighter or by shortening the distance between water and your camera, the easier it is to blur it. To convey the soft-movement look, distant scenes require slower speeds. It’s imperative to remember long exposures don’t just happen. There are fundamentals that must be in place to slow your shutter speed down.
The amount of light must be low. More often than not, low light is found in indoors, deep shade, during twilight, sunset or sunrise. Soft and even light is an added advantage if you are to achieve a silky smoothness. To achieve slower exposure, ISO should be lowered as much as possible. Photographer Peterborough advises novices that ISO should be set at about 100.
Photographer Peterborough Often times, you will always get it right if you shoot with the slowest shutter speed. However, there are times when the slowest exposure will not be the best option. For example, if there is high contrast light in the scene or the water is free flowing. Last but not least, photographer Peterborough advises fellow photographers to play with the settings of their cameras. Water keeps on changing which makes it difficult to tell what you will exactly get.
